Art and Research Interest Long Exposure, her current project, is a book-length poem that takes as its starting point Robert Polidori’s post-disaster photographs of New Orleans and Chernobyl. This interrogation of the writer’s relationship to looking and to art-making also concerns itself with, among other subjects, Japan’s 2011 tsunami and nuclear disaster, ghost towns, Expo 1986 and Vancouver’s propensity for architectural self-transformation, the generative and destructive potential of the kudzu vine in the American South, and the recent designation of the Exclusion Zone around Chernobyl as a wildlife sanctuary populated by the endangered Przewalski’s horse.
As a thesis supervisor, she has worked with students writing in a range of genres and approaches to genre: collections of discrete poems, linked and long poems, cross-genre writing, digital poetry, and prose in the form of short fiction and the novel. As both a writer and a supervisor, she is particularly interested in process, and drawn to sustained, critically engaged, self-reflexive works that are -- and offer -- an experience, rather than a rendering of an experience.
Keywords The long poem and the poem series, Ekphrasis, Ruin porn, Disaster tourism, Environmental transformation, Middle landscape, Zoos, Vermeer and other Dutch painters of the 17th century, Japanese aesthetics and culture, Charles Dodgson/Lewis Carroll and Alice Liddell